A recent, perhaps trivial, example of this kind of intellectual ethnic
warfare is the popular movie Addams Family Values (released in
November 1993), produced by Scott Rudin, directed by Barry Sonnenfeld,
and written by Paul Rudnick. The bad guys in the movie are virtually
anyone with blond hair (the exception being an overweight child), and
the good guys include two Jewish children wearing yarmulkes. (Indeed,
having blond hair is viewed as a pathology, so that when the dark
haired Addams baby temporarily becomes blond, there is a family
crisis.) The featured Jewish child has dark hair, ears glasses, and is
physically frail and nonathletic. He often makes precociously
intelligent comments, and he is severely punished by the blondhaired
counselors for reading a highly intellectual book.
The evil gentile children are the opposite: blond, athletic, and
unintellectual. Together with other assorted darkhaired children from
a variety of ethnic backgrounds and white gentile children rejected by
their peers (for being overweight, etc.), the Jewish boy and the
Addams family children lead a very violent movement that succeeds in
destroying the blond enemy.
The movie is a parable illustrating the general thrust of Jewish
intellectual and political activity relating to immigration and
multiculturalism in Western societies. It is also consistent with the
general thrust of Hollywood movies.
SAID (McDonald, 1998) reviews data indicating Jewish domination of the
entertainment industry in the United States. Powers, Rothman and
Rothman (1996, 207) characterize television as promoting liberal,
cosmopolitan values, and Lichter, Lichter and Rothman (1994, 251) find
that television portrays cultural diversity in positive terms and as
easily achieved apart from the activities of a few ignorant or bigoted
miscreants.
(The Culture of Critique: An Evolutionary Analysis of Jewish
Involvement in TwentiethCentury Intellectual and Political Movements,
Kevin McDonald, endnotes No. 50.)