In article <1118302178.236822.43...@g44g2000cwa.googlegroups.com>,
rinaggr...@yahoo.com wrote:
Thanks Robert will remember all your tips! :)
Just one thing, could you please tell me a little bit about
"singlenote fragrance"?
Sure. Most modern scents are complex combinations of many
ingredients, sometimes several hundred. There are three very broad
categories of fragrance. First is the bouquet, which is meant to smell
like something identifiable but complex; a bouquet of flowers (whence
the name), a garden by the sea, or a cargo ship laden with spices and
tobacco. Second we have the fantasy fragrance, which isn't meant to
evoke anything specific; Chanel No. 5 is the classic example of this,
because you can't really isolate any of the specific notesthe whole
thing just smells like No. 5. (These are vague categories and there's
some overlap, but such is art.) And finally is the singlenote fragance,
which is meant to smell like a single thing; Joy is the classic example
here, because although it has a number of ingredients (jasmine, ylang
and tuberose, for example), it's meant to smell intensely of rosesto
be the rosiest thing in the world, the quintessence of rose.
So the reason I suggested adulterating a men's scent with a
singlenote scent is that when you mix two complex fragrances together,
you're as likely as not to get a slumgullion of a scent, but if you add
a single note (or a very simple composed scent that's similar to a
single note), you have much more control over the result. A drop of,
say, jasmine oil or a brief mist of Yardley Lavender or Givenchy's Very
Irresistible (almost entirely roses) will help add a womanly note to a
men's scent and make it unidentifiable. And then if someone asks what it
is, you can say it's just a little something you whipped up.
Robert Matthews